Licensed Music

Making Music Fun: An Interview with Nick Morrison – Part 2

June 15, 2022 by Jodi Krangle

“People don’t forget that stuff. They remember people that blow their minds. They won’t necessarily remember the music, people won’t remember the thing that you did, but they’ll remember the way that you made them feel, whether that’s by your actions or by the actual emotion that you’ve imparted to them via your music, or your sound, or whatever it happens to be.” — Nick Morrison

This episode’s the second half of my interview with bestselling author, professional musician, teacher, session artist, and composer Nick Morrison, as we talk about the process of turning imagery and emotion into sound, the importance of networking and building relationships, and about the most valuable advice he has to offer about navigating a freelance career in the digital age.

As always, if you have any questions for my guest, you’re welcome to reach out through the links in the show notes. If you have questions for me, just visit www.audiobrandingpodcast.com where you’ll find all sorts of ways to get in touch. Plus, subscribing to the newsletter (on the www.audiobrandingpodcast.com webpage) will let you know when the new podcasts are available.

Making it More Purple

As the second half begins, Nick and I talk about some of his memorable experiences with building an audio brand, including one particularly tricky suggestion. “His last note,” Nick recalls, “and this drove me crazy, was ‘can you make it sound more purple?” He reveals the answer to that mysterious request and we discuss a study, linked below, that showed how it’s audio, not video, that plays the biggest role in making or breaking a viewer’s experience. “Once you get better,” he explains as we talk about advances in audio technology, “you can’t go back with audio. There’s something in the human ear that, if you hear poor quality audio, it immediately turns off your brain and you stop listening.”

Always Say Yes

We also look at the role networking and building a positive reputation in the industry can play, and how online resources such as Taxi.com can help. “Places like that can get you a lot further, faster,” he says, “than just trying to put your stuff on one of the numerous websites that are just a repository of the world’s garbage. And that sounds harsh, but it’s like a needle in a haystack.” He also tells us his approach to forging lasting relationships with clients who are just starting out. “If I have a job offer or an opportunity that comes up, as long as it doesn’t hurt me financially or embarrass myself or my family in some way, shape, or form, I will say yes. Say yes to as much as you can.”

The World at Our Fingertips

Nick also offers advice on navigating the financial aspects of freelance audio based on his own experiences as a musician, and we talk about his bestselling, and unorthodox, instructional books on playing the guitar. “One of the biggest problems that I find,” he explains, “is that music is taught the same way as it was written down in the late 1700s.” Our interview concludes with Nick’s advice to anyone who’s looking to follow their dreams and make a living online. “We’ve got the internet and the world at our fingertips. There is no need to box yourself in and say ‘I am only this.’”

Episode Summary

The importance of sound in building a mood and creating a positive impression
Meeting the challenge of online networking and building client relationships
Financial tips about audio revenue and royalty income
How Nick’s working to bring music training into the 21^st century

Connect with the Guest

Nick’s Morrison Media Website: https://morrisonmediagroup.com/
Nick’s Guitar Dojo Website along with a free copy of Nick’s book Essential Chords and Scales for Guitar for new email list subscribers: https://guitardojo.ca/
Follow Nick Morrison on Facebook: https://www.facebook.com/groups/theguitardojo/
Connect with Nick Morrison on LinkedIn: https://www.linkedin.com/in/jnmorrison/
Follow Nick Morrison on Twitter: https://twitter.com/samuraifingers/
Subscribe to Nick Morrison on YouTube: https://www.facebook.com/groups/theguitardojo
Nick’s book Guitar Fretboard Memory Magic: Painlessly Memorize All the Notes on Your Neck Forever for Instant Recall: https://www.amazon.com/dp/B08T43569M/
Nick’s book Basic Music Theory for Guitarists: The Plain English Guide for Beginner to Intermediate Guitar Players: https://www.amazon.com/dp/B09BGN8Z4S/
Audio Engineering Society’s study “The Influence of Video Quality on Perceived Audio Quality and Vice Versa” (the study itself is behind a paywall, but the abstract can be read for free): https://www.researchgate.net/publication/243786211_The_influence_of_video_quality_on_perceived_audio_quality_and_vice_versa/

Stay tuned next week for the second half of the interview as we discuss a surprising study about how much of a difference sound makes, advice on everything from building a professional network to borrowing against royalties, and some of Nick’s latest books and upcoming projects.

Get your complimentary mini e-book and learn how to create your personalized and branded audio branding strategy with my Top Five Tips for Implementing an Intentional Audio Strategy.

Do you need a voice talent for your next project? Visit my voice-over website to find out more about how my voice can help you with your audio brand. You can also subscribe to the Audio Branding Podcast on YouTube to watch the show’s latest episodes.

Please leave the Audio Branding Podcast a written review or a spoken review so others can find the show on their favorite podcast player!

This interview episode was very skillfully made to sound beautiful by the talented Humberto Franco.

Making Music Fun: An Interview with Nick Morrison – Part 1

June 8, 2022 by Jodi Krangle

“One of my Berklee professors, one of my favorite things that has stayed with me from my time there, said ‘you know, Nick, a bad day playing music is still better than a good day doing just about anything else.'” — Nick Morrison

This episode’s guest is an Amazon #1 bestselling author and a professional musician, composer, teacher, voice actor, YouTube creator, actor, and a music and media consultant from Calgary Alberta. He’s toured throughout the United States, Canada, and Japan as a guitarist, worked as a session musician, and as a writer and composer for Warner Bros, Universal Studios, Sony, MTV, ABC, NBC, HGTV, and HBO, among others. He was educated at the Berklee College of Music in Boston, Massachusetts, where he studied guitar performance and music business management.

In 2021 he began writing guitar instructional books and continues to bring his love of the instrument to as many people around the world as possible. His name is Nick Morrison, and our discussion runs the gamut from music, to sound design, to audio branding and everything in between.

Getting into Sound

We start things off with a look back at Nick’s earliest impressions of sound, and he tells us about his mother’s lifelong love of music and his happy memories of growing up in a musical family. He talks about the surprising influence the original Super Mario Bros. had on his lifelong career and how it inspired him from an early age to devote himself to music. “It was at that point that I really decided,” he tells us, “that I was like ‘I’m going to do something with music.’ I didn’t have the vocabulary then to know specifically what I wanted to do, but I knew that I wanted to get into sound.”

The Cat and the Piano

“A cat can jump on a piano,” Nick jokes as we talk about his early music lessons, from the violin to the piano to his first guitar, “and it’ll sound good.” He tells us about the unique musical challenges and rewards that each instrument offers and how he’s come to embrace his role as a teacher and focuses now on helping people who might be returning to their love of music after a long career elsewhere. “What can I give to those students,” he says, describing his approach to teaching new musicians, “that in those fifteen minutes they can get the most out of the time they have with their instrument as possible?”

Making Music Online

We also take a look at remote learning, online groups, and how our post-COVID shift to virtual lessons and meetings has changed the musical landscape. “I can’t think of a single industry,” Nick says, “that doesn’t have at least some computer animation or computer modeling or computer monitoring or computer connectivity to keep us in touch and to help us with our jobs.” He gives us a few examples, such as how his Guitar Dojo Facebook group works to make learning about music fun for its members and listeners alike. “My mission statement,” as he puts it, “is to make music fun again.”

With Music and Sound

The conversation turns to some of the old computers we grew up with, and how MIDI controllers and digital sampling have transformed the creative process. We talk about some of the television and advertising themes he most admires, and about how licensed compositions compare to life on the musical road. “I’d rather be playing guitar,” he says, “writing music, talking about guitar, teaching guitar, composing music… something to do with music and sound and the thing that I love.”

Episode Summary

Nick’s memories of sound and experiences with video game music
How different instruments can result in different creative approaches
Nick’s focus as a guitar instructor on helping students reconnect to music
Teaching and performing music in the age of virtual learning
The blurry lines between modern commercial and creative music

Connect with the Guest

Get your complimentary mini e-book and learn how to create your personalized and branded audio branding strategy with my Top Five Tips for Implementing an Intentional Audio Strategy.

Please leave the Audio Branding Podcast a written review or a spoken review so others can find the show on their favorite podcast player!

This interview episode was very skillfully made to sound beautiful by the talented Humberto Franco.

Just the Right Music: An Interview With Mac McIntosh – Part 2

March 2, 2022 by Jodi Krangle

“Ultimately, what happens with Spotify and Apple and YouTube or any of the other platforms out there, the majors are going to set the precedent on what the licensing deals look like. That’s eventually going to trickle down to the independent artists to where they just they don’t get a great deal, I mean, they’re never going to really see substantial money, even if they’re doing millions of streams.” — Mac McIntosh

This week is the second half of my interview with music supervisor and film producer Mac McIntosh. We talk about how social media is changing the licensing landscape, what’s truly involved in building the right soundtrack, and which musical genre he’s hoping might make a cinematic comeback thanks to shows like Stranger Things.

Creative Conversations

We start the second half of the show with a closer look at his team, which includes musicians and Foley artists, and some of the series they’ve worked on. “Creatively, I had to do a lot of things that weren’t traditional to the music clearance space,” Mac explains as we look back at one project. “A lot of creative conversations had to take place to make certain things happen, and to prevent certain things from happening as well, from a licensing standpoint.”

Living by the Single

Mac talks about some of the soundtrack trends he’s seen in movies since the turn of the millennium, and how he’d like to see rock music make a Hollywood comeback. We move on to a look at how social media has made things both easier and more challenging for indie artists, and how video games and streaming shows are creating new opportunities for exposure and fame. “They realize that you live and die by the single these days,” he notes. “Artists are at the point where they’re basically hustling on a daily basis, trying to figure out how to maintain their careers, while at the same time most of them have to have a full-time job to go along with that.”

Owning Your Music

We wrap things up with a growing industry trend that he advises clients looking to add a musician to their project to follow. “It’s better to do a made-for-hire or paid-for-hire deal with an artist,” Mac says, “where you pay them directly to create an original piece of music for you… versus licensing something that you’re not sure is a good deal or not.” He points out the advantages of owning your own audio assets, such as greater stability and potential revenue, and we discuss some of the different licensing options available and which ones might best fit a given project.

Episode Summary

Mac’s Musiclerk team and how a soundtrack is cleared.
How social media companies have changed online marketing
Video games, streaming shows, and the music hustle culture
Licensing options and how to contact Mac McIntosh

Get your complimentary mini e-book and learn how to create your personalized and branded audio branding strategy with my Top Five Tips for Implementing an Intentional Audio Strategy.

Please leave the Audio Branding Podcast a written review or a spoken review so others can find the show on their favorite podcast player!

This interview episode was very skillfully made to sound beautiful by the talented Humberto Franco.

Connect with Mac:

Website: https://www.musiclerk.com
LinkedIn: https://www.linkedin.com/in/mac-mcintosh-717190126/
Follow Musiclerk on Twitter: https://twitter.com/musiclerk
Get the Studio Numbers Chart Workbook: https://www.amazon.com/dp/B09SGNZ59L?ref_=pe_3052080_397514860

Just the Right Music: An Interview With Mac McIntosh – Part 1

February 23, 2022 by Jodi Krangle

“Because a lot of podcasting was audio-only people thought, well, it’s like radio, all you need is, you know, a performance license. And that’s not true. It’s exactly like that, and that we’ve all learned, you know, in time, it’s kind of developed to the point where you have to sync music from a licensing perspective with podcasts the same as you do film or television. So, you know, helping people navigate that, that was one of my big goals.” — Mac McIntosh

This episode’s guest is a music supervisor and film producer based in Dallas, Texas, who’s spent over twenty years in the entertainment industry, with additional experience in music clearance, music licensing, film distribution, and more. He’s the founder of Musiclerk.com, a music and audio agency that provides music supervision, music clearance, post audio editing, sound design, and music composition for their film, television, podcast, and video clients. He also has experience helping filmmakers and production companies secure distribution for their projects.

His name is Mac McIntosh, and in this interview, we’ll be taking a deep dive into the world of music and how important it can be to the shape of a project. Mac’s perspective will offer a golden opportunity to learn more about the inner workings of this fascinating field, and how it might come into play with your own content creation.

The Cadence of Cinema

We start the interview with a look at Mac’s audio influences while growing up, from the rhythm of He-Man’s catchphrases to the cadence of cinematic audio. “The music played a big part of it too from a dynamic standpoint for me,” he explains as he recalls how movie soundtracks helped inspire his love of music. “I think that was something I really grabbed onto at an early age,” he says, “and realized that it does affect in ways you don’t even realize.”

The Willingness to Not Give Up

Mac goes on to recount how his early career as a musician led him to become a producer and music supervisor. “Growing up in Nashville and being a guitar player,” he says, “you quickly realize there are… at least a thousand other guitar players that are either better or a lot better than you are.” We talk about his first music industry blog and the young artists he met whose talent and perseverance inspired him. “I think just determination and just the willingness to not give up are the biggest things, especially for some of the artists that I interviewed at that time.”

Overcoming the Algorithms

We go on to talk about the early days of social media, the new kinds of success and exposure the internet brought to independent artists, and whether today’s older, more structured online culture can still support that sort of breakthrough success. “Because the algorithms had not reached a level,” he tells us, “that everything was, you know, kind of suppressed and you had to spend money in order for it to be seen like it is nowadays, it was very organic and real.”

Helping People Navigate

Next, we look back at how Musiclerk began, as Mac realized that both musicians and industry professionals need someone who can guide them through the complicated process of music clearance and licensing. “What a lot of directors and producers sometimes aren’t aware of,” he notes, “is the length of the process it can take to clear one song.” He tells us about the first questions he asks to gauge the right sound for a project, the process behind securing it, and the movies and series soundtracks that he’s supervised.

Episode Summary

Mac’s earliest audio influences and musical hobbies
The Nashville Number System and music scene
How social media has evolved as a marketing tool
Musiclerk and finding just the right music
The hidden process of music clearance and licensing

Get your complimentary mini e-book and learn how to create your personalized and branded audio branding strategy with my Top Five Tips for Implementing an Intentional Audio Strategy.

Please leave the Audio Branding Podcast a written review or a spoken review so others can find the show on their favorite podcast player!

This interview episode was very skillfully made to sound beautiful by the talented Humberto Franco.

Connect with Mac:

Jodi Krangle

Just the Right Music: An Interview With Mac McIntosh – Part 2

Just the Right Music: An Interview With Mac McIntosh – Part 1

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