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Jodi@VoiceoversAndVocals.com

sound design

Sounds of the Times

April 7, 2021 by Jodi Krangle

Imagine you’re a child and you’re riding in the back seat of a car at night. You watch the trees passing by you through the window, and then you close your eyes so you can feel the vibrations through the seat. All the while the engine softly rumbles all around you, surrounding you like a blanket. Over half of parents surveyed said they’ve used “dream drives,” taking their children on a drive at night just to help them fall asleep. But what if you’re driving an electric vehicle? Would it still have that soothing rumble?

Last year Nissan partnered with Tom Middleton to find a way to preserve this timeless experience in the Nissan LEAF, an electric car that would normally be completely silent. To help the LEAF sound and feel more like an old-fashioned car, Middleton created an ambient album of combustion engine sounds called the “Nissan Leaf Dream Drive” that’s available on Spotify, Google Play and other platforms.

To learn more about it, just click the link below:
https://www.edelman.com/work/nissan-dream-drive

This isn’t the first time sounds have been added to electric vehicles to make them seem more familiar, and it won’t be the last. A new EU law mandates that by this July all hybrid and electric vehicles will need an “acoustic vehicle alert system” to make sure pedestrians can hear approaching vehicles. Those sounds are required to resemble a gasoline engine, and to scale up and down with the vehicle’s speed. A similar “quiet car” law will take effect in the United States this March, after a six-month extension.

Electric cars are just one example of how new technology is changing many of the sounds we take for granted, and how we’re working to bring those sounds back in new ways. You may have heard of the “coconut effect,” especially if you’re a fan of old westerns or a certain Monty Python movie. Whether it’s coconut shells clapping to imitate galloping horses, or the squealing tires during every car chase, or whirring, beeping computers, there are sounds in movies that we just expect to be there. It turns out that many of the sounds we take for granted in our lives work much the same way.
If you’ve ever had a cell phone call drop – and who hasn’t? – you could probably tell after just a second that the line’s dead. But how did you know? Though we don’t usually notice it, there’s a slight background hum added to digital telephones called a “comfort noise.” It’s only there when the line’s open, and when that hum stops we know that the call’s ended without even really thinking about it.

That hum was just a side effect for landline phones, but we’ve become so used to it that, even though modern phones don’t really need it, we’ve added it back in. Smartphones also do this with buttons that click when you press them, even though you’re just tapping a screen, while haptic feedback gives your hand a slight jolt with each click. It doesn’t need to do that, but it wouldn’t feel right for us if it didn’t. From rumbling vacuum cleaners and clicking car locks, from satellite radios with fake static to potato chips meant to crunch with each bite, a surprising number of sounds around us are intentionally designed to enhance our lives. For a closer look at some of them, check out this video:

As digital technology expands and replaces older, mechanical sounds with silence, it turns out that at least some of those background noises, whether it’s the rumble of a car engine or the hiss of a phone line, are still pretty useful. Sound remains an important part of our lives, and in many ways the audio industry is now working to replace and improve upon those missing sounds.

Most of us aren’t that comfortable with things being too quiet. Having those little clicks and hums all around us helps give the world context, and reassures us that everything’s still working even when nothing seems to be happening. Ambient soundtracks and background noise generators are becoming more popular these days; the link below discusses the difference between distracting noise and relaxing background sounds, and illustrates that subtle difference with a coffee shop ambience:

https://mynoise.net/NoiseMachines/cafeRestaurantNoiseGenerator.php

While it often feels like we’re simply reacting to the sounds all around us, those sounds, more than ever before, are being molded to fit our needs and meet our expectations. As technology works to make our devices, our cars and even our homes quieter, we’re finding more freedom to fill them with the melody of our own lives.

Would you consider giving this podcast an honest review? You can do that here: https://lovethepodcast.com/audiobranding.  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

And if you’re interested in crafting an audio brand for your business, why not check out my FREE download – 5 Tips For Implementing An Intentional Audio Strategy at https://voiceoversandvocals.com/audio-branding-strategy/

Filed Under: Audio Branding Tagged With: ambient sound, background noise, comfort noise, dream drives, electric cars, Nissan LEAF, noise generator, sound design, sound science, soundscapes

Interview with Hamburg/Berlin Based Sound Agency, WESOUND – Dr. Cornelius Ringe & Lars Ohlendorf – Part 2

January 27, 2021 by Jodi Krangle

This is the second part of my interview with Dr. Cornelius Ringe and Lars Ohlendorf. The first half of this conversation was so enlightening, especially hearing about how sound and audio branding looks in different parts of the world and the history of audio branding. In this part, we really dive into more about where audio branding came from and where it’s going!

In this second part, we discuss:

  • The best money saving tips for audio branding
  • Giving yourself time to let your own DIY attempts sink in before starting over
  • Making decisions based on your business model
  • Where audio branding is going from here
  • Podcasting’s role in audio branding
  • The requirements for different brands when it comes to audio branding
  • How Netflix’s sound logo has become synonymous with the pandemic
  • How jingles have moved to sound logos
  • Technology’s role moving into the need for more sound logos
  • Design as a function
  • The change of the approach to music in ads and filling emptiness
  • What WESOUND does
  • What ISA does
  • The criteria for awards within ISA 
  • The evolution of the ISA awards 
  • The impact of the different projects submitted for the ISA awards
  • The relationship between sound and the physical product it represents

 

If you would like to find out more information, you can do so here:

www.wesound.de

And you can find out more information about the Audio Branding Academy and their awards here: https://www.international-sound-awards.com/ 

 

This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

 

Would you consider reviewing the Audio Branding Podcast?  If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

 

And if you’re interested in crafting an audio brand for your business, why not check out my FREE download – 5 Tips For Implementing An Intentional Audio Strategy at https://voiceoversandvocals.com/audio-branding-strategy/

Filed Under: Audio Branding Tagged With: advertising, audio branding, branding, business model, ISA, jingles, pandemic, podcasting, sound, sound design, sound logo, technology, WESOUND

Interview with Hamburg/Berlin Based Sound Agency, WESOUND – Dr. Cornelius Ringe & Lars Ohlendorf – Part 1

January 20, 2021 by Jodi Krangle

In this interview, I am joined by two guests who are taking the audio branding world by storm. Dr. Cornelius Ringe and Lars Ohlendorf are partners in the company, WESOUND and Dr. Ringe is the founder of the Audio Branding Academy. We dive into so many great aspects of audio branding in this interview and it’s great to have another perspective on where audio branding is going from here.

We discuss:

  • What life looks like in Hamburg, Germany and how they’re both dealing with COVID lockdowns
  • The shift to home office work with audio
  • Musicians’ takes on working from home and doing streaming concerts
  • Experiencing online performances and speeches 
  • Adjusting to the lack of audience interaction
  • Zoom’s impact on musical sound
  • How Zoom has upped their game when it comes to sound
  • WESOUND and where it came from
  • Audio branding’s role in the creation of WESOUND
  • The difference between Audio Branding Society and the Audio Branding Academy
  • The growth of audio branding 
  • Breaking down the difference between sound and audio branding 
  • Europe’s role in audio branding
  • NBC’s accidental audio branding in the very beginning 
  • Radio’s initial sounds and where they came from
  • Advertising and how everything’s transitioned over the years
  • How we are wired to pay attention to sound
  • Finding the right methods and approaches to creating the right sound
  • Audio branding isn’t all about science
  • Methodology changes from client to client when creating audio branding 
  • If science does play a role, it’s probably more about psychology than anything else
  • The importance of design over finding the right calculations 
  • Ongoing work on the brand
  • Different companies’ take on the importance of audio branding for their company

If you would like to find out more information, you can do so here:

www.wesound.de

And you can find out more information about the Audio Branding Academy and their awards here: https://www.international-sound-awards.com/ 

 

This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

Would you consider reviewing the Audio Branding Podcast?  If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

And if you’re interested in crafting an audio brand for your business, why not check out my FREE download – 5 Tips For Implementing An Intentional Audio Strategy at https://voiceoversandvocals.com/audio-branding-strategy/

Filed Under: Audio Branding Tagged With: audio branding, Audio Branding Academy, Audio Branding Society, COVID-19, methodology, online performances, sound, sound design, streaming concerts, WESOUND

Interview With Creative Director, Monte Bowden – Part 2

February 19, 2020 by Jodi Krangle

Here’s the second part of my interview with Creative Director, Monte Bowden   We talked about his philosophies on directing voice talent and trusting his editors, discovering a brand “voice”, consistency in branding, and his thoughts on creating a deeper connection with those who his clients hope to serve.

We also spoke about things like:

  • How he gives direction to the voice talent he works with, helping them find the “why”
  • Consistency in branding – both in the tone of that brand and in the voice talent used
  • How other ads have used INconsistency to create interest and engagement
  • Authenticity and how it plays a part in advertising and fundraising
  • How movie trailers seem to be getting more compelling
  • His love of work that’s “cinematic”
  • What he’s working on right now
  • How a client of his is helping people to understand transparency in healthcare and leading in that field
  • Working with a children’s hospital and telling their caring stories
  • How social media might play a role in hiring voice talent – and whether or not it should
  • Monte actually interviews ME for a little bit. 😉 (He asks some excellent questions!)

You can find more information on Monte and Amperage on their website at https://www.amperagemarketing.com and on Facebook at https://facebook.com/AmperageMarketing.

This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

Would you consider reviewing the Audio Branding Podcast?  If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

 

Filed Under: Audio Branding, Marketing, Video Production Tagged With: ad agency, advertising, audio branding, creative director, fundraising, marketing, sonic branding, sound design, technology

Interview With Sound Designer & Studio Owner, John McClain – Part 2

January 15, 2020 by Jodi Krangle

John McClain knows a thing or two about sound.  For one thing, he’s the owner and lead sound designer/mixer at The Dog and Pony Show in Las Vegas, Nevada (https://www.dogandponystudios.net/).  For another, he won a Grammy for his work with the late, great George Carlin, and an Emmy for his work with HBO on the series 24/7, his work with PBS on the show Outdoor Nevada and his mix of the documentary African Americans: The Las Vegas Experience.   If that’s not enough, he teaches a class in Tech for voice talent through the Voice Actors Studio – https://www.thevoiceactorstudio.com/ – owned by Melissa Moats (https://www.ladyluckvoiceovers.com/ – another fantastic voice talent in Vegas) and another course on Sound for Film at UNLV.

The second part of our discussion covered a bunch more topics like:

  • Voice actors and editors need to pay attention to the tempo of a script
  • How sound that’s inconsistent or simply not good, can make a person turn away without knowing why
  • Information on a book John uses in his course called The Sonic Boom (https://www.amazon.com/Sonic-Boom-Sound-Transforms-Think/dp/0544570162)
  • How sound allows you to time travel
  • When he first became conscious of sound and began to love it
  • How architecture has its own sound
  • Some information on his latest sound design projects
  • More information on his podcast, VO Inertia (https://anchor.fm/voinertia)

Dog and Pony Show can be found on Facebook at https://www.facebook.com/DogandPonyStudios/
and on Twitter at @DnPSound

This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

Would you consider reviewing the Audio Branding Podcast?  If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

Filed Under: Audio Branding, Casinos Tagged With: audio branding, casino gaming, casino win sounds, film, film scores, sonic branding, sonic logos, sound design

Interview With Sound Designer & Studio Owner, John McClain – Part 1

January 8, 2020 by Jodi Krangle

John McClain knows a thing or two about sound.  For one thing, he’s the owner and lead sound designer/mixer at The Dog and Pony Show in Las Vegas, Nevada (https://www.dogandponystudios.net/).  For another, he won a Grammy for his work with the late, great George Carlin, and an Emmy for his work with HBO on the series 24/7, his work with PBS on the show Outdoor Nevada and his mix of the documentary African Americans: The Las Vegas Experience.   If that’s not enough, he teaches a class in Tech for voice talent through the Voice Actors Studio –  https://www.thevoiceactorstudio.com/ – owned by Melissa Moats (https://www.ladyluckvoiceovers.com/ – another fantastic voice talent in Vegas) and another course on Sound for Film at UNLV.

The first part of our discussion was a fascinating trip through a bunch of topics, such as:

  • What he teaches students who take his Sound for Film course
  • How music can completely change the tone of a piece of film
  • Why sound needs to be paid attention to
  • How evolution has shaped our understanding of sound
  • How voice talent can use silence to their advantage
  • Why marketers and advertisers are starting to pay attention to good sound design
  • Some examples of sound design – such as casino “win tunes” for machines
  • The laws about manipulation using sound in casino gaming (there actually are some!)
  • What music notes are used more often for the sound in casino games and why
  • How it’s the wild west in advertising when it comes to sound
  • How to use compelling sound in advertising

John’s podcast, VO Inertia can be found at https://anchor.fm/voinertia
Dog and Pony Show can be found on Facebook at https://www.facebook.com/DogandPonyStudios/
and on Twitter at @DnPSound

This episode was very skillfully made to sound beautiful by the talented Humberto Franco (http://www.humbertofranco.com/).

Would you consider reviewing the Audio Branding Podcast?  If so, here’s the Apple Podcast link: https://podcasts.apple.com/podcast/audio-branding/id1489042453  And if you like what you hear (and read!) – please do share it with anyone you think might be interested. Thanks so much!

Filed Under: Audio Branding, Casinos Tagged With: audio branding, casino gaming, film, sonic branding, sonic logos, sound design, win sounds

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